
Live Paint introduces a better, faster way in an entirely new kind of drawing object: a live paint object.

Traditionally, you build compositions in Illustrator using a fairly simple stackable object model in fact, that’s where most designers and illustrators first learned the concept of “send to back” and “bring to front.” Beyond this, many of us have become accustomed to using groups or the pathfinder tools to nest or combine basic objects into more complex shapes. Regardless of how you use them, the Control Palette and Custom Workspaces will have a dramatic effect on day-to-day tasks, allowing users of all kinds to work more efficiently. The other workspace, called “minimal,” shifts the Control Palette to the bottom of the screen and frees up the rest of the working environment. It returns all palettes to the default Illustrator CS locations. The first one, appropriately titled “default,” is the safety. The new Workspaces feature may not look like much, but it opens up a whole new world of more efficient, customized palette layouts.Īlthough you’ll want to build you own, Illustrator also comes with two workspaces.

ADOBE ILLUSTRATOR CS2 FULL
While it may take seasoned users a little while to get comfy using the Control Palette exclusively, I can help you along by pointing out that many of the additional full palette options are linked to off the Control Palette itself. You can even customize your Control Palette options using the fly-out menu on the right. It offers stroke, fill, type, alignment, and a handful of other options. Within Illustrator CS2, the Control Palette is context-sensitive, which means it changes based on what objects - and what type of object - you have selected.

What would you say if I told you that 80 percent of the controls you need the most are all in this one place? While the Control Palette looks similar to the Options Palette in Photoshop, it performs in an entirely different way. Illustrator CS2’s first new addition is the Control Palette, sitting (by default!) at the top of a document. I, along with many other designers and illustrators, was more than accustomed to working with palettes two rows deep, and at the same time, hesitant to close or move any floating palettes from within reach.Īdobe heard our cries of frustration and delivered. Previous versions of Adobe Illustrator left its users feeling a bit cramped for working space. It’s also available as part of the Creative Suite 2 Standard package for $899 and the Creative Suite 2 Premium for $1,199. The stand-alone version of Illustrator CS2 costs $499, with upgrades from Illustrator CS and 10 at $169.
ADOBE ILLUSTRATOR CS2 UPGRADE
The question is not “Should I upgrade to Adobe Illustrator CS2?” but rather, “How soon can I get my hands on it?” And that’s coming from someone who’s used many a previous version and the CS2 beta constantly in many projects for The Chopping Block, a design studio in New York City.

Increased speed, dependability, and ease of use, and a handful of truly useful new features make Illustrator CS2 one of the most exciting updates released by Adobe in recent years.Īs Illustrator, Photoshop, InDesign, and GoLive continue to play better together, the recently released Illustrator CS2 is redefining itself as a vector-art creation tool by incorporating an improved working environment new drawing, painting, and tracing tools and by seamlessly integrating live Photoshop effects with Illustrator’s unmatched Appearance Palette.
